MINNIE’S FROM GIGLIOLA FRAZZONI AND ELEANOR STEBER

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Napisala i przyslala Basia Jaworski


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Emmy Destinn (Minnie) at the premiere of La Fanciulla del West

Puccini’s women are never one-dimensional. That is expressed in his music, but who still understands the intentions behind the notes? Good Minnies are scarce these days, and to find the best, one has to go back to the nineteen fifties/sixties.

Like Salome, Minnie is loved and desired by men. Well, you say, she is the only woman in a rough world of miners inhabited only by guys. But it’s not that simple. She lives all alone in a remote hut and a few minutes after meeting a strange man, she invites him to her house. She smokes, and drinks whiskey. And she loves a game of cards, cheating if necessary.

In the scene leading up to the poker game, she says to the sheriff, “Who are you, Jack Rance? The owner of a gambling joint. And Johnson? A bandit. And me? The owner of a saloon and a gambling joint, I live off whiskey and gold, dancing and faro. We’re all the same! We’re all bandits and cheats!”

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Renata Tebaldi as Minnie

And I choose not to talk to you about Renata Tebaldi, even though she was one of the greatest (if not the greatest!) Minnie’s ever. She was lucky to have an exclusive contract with a leading record company (Decca), something her colleagues could only dream of.

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Gigliola Frazzoni as Minnie with Franco Corelli (Johnsosn)

That explains why few people, apart from a few opera-diehards, have ever heard of Gigliola Frazzoni or Eleanor Steber (to name but two). Believe me: neither soprano is inferior to Tebaldi. Just pay attention to the range of emotions they have at their disposal. They cry, sob, scream, roar, beg, suffer and love. Verismo at its best. You don’t need a libretto to understand what’s going on here.

Calosc TUTAJ

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