Napisala i przyslala
It is very hard to believe, but the first post-war performance of the Lyrische Symphonie dates from the late 1970s. This absolute masterpiece was composed between 1922-23 and premiered in Prague on 4 June 1924. Like Mahler’s Das Lied von der Erde, it is a kind of cross between an orchestral song cycle and a symphony.
Zemlinsky wrote the work on the text of the Bengal poet Rabindranath Tagore ‘The Gardener’, in a German translation by Hans Effenberger. The seven love poems are cast in the form of a dialogue between a prince (baritone) and a girl in love (soprano). Many musicologists consider the work to be autobiographical and there is certainly an element of truth in that.
Or was it the (still?) raw break with Alma Schindler, as some critics would have us believe? I don’t think so, I’m much more inclined to believe Antony Beaumont (the Zemlinsky connoisseur and biographer) that the work was about his relationship with Louise Sachsel, which had just begun at the time.
Seen in this context, it is perhaps interesting to know that Alban Berg quoted the third movement of the symphony (‘Du bist mein Eigen’) in the ‘Adagio Apassionato’ of his Lyrical Suite for string quartet. As you know, Berg had a secret love affair at the time with Hanna Fuchs, for whom he composed the work.
Below is the Adagio appassionato performed by the Galimir String Quartet. The recording dates from 1935:
There are quite a few performances of Zemlinsky’s once so mercilessly forgotten but now best-known and most frequently performed work. Two by James Conlon and Riccardo Chailly immediately stand out.