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BENJAMIN FRANKEL: FROM WATCHMAKER’S APPRENTICE TO THE SOUND WIZARD

Basia Jaworski



In 1957 Benjamin Frankel moved to Switzerland. In England, his homeland, he was mainly known as a film composer. No wonder, because to his name is music for more than 100 films, including classics such as The Seventh VeilThe Night of the Iguana and Curse of the Werewolf.The night of the Iguana:

In Switzerland he finally found the peace to engage in serious(er) music. In 15 years (Frankel died in 1973) he composed eight symphonies and one opera.Benjamin Frankel was born in London in 1906 into a Polish-Jewish family. At the age of fourteen he was apprenticed to a watchmaker. Luckily for him, his talent was soon discovered. For a while he played with the idea of becoming a Jewish composer alla Bloch. He considered himself an ‘English Jew’ or a ‘Jewish Englishman’, which did not prevent him from marrying a non-Jewish woman. An act that caused a break with his family.His musical language is not easy to describe. In the fifties he studied serialism and regularly applied it in his own compositions, yet his works do not sound atonal anywhere. Perhaps the best example of this is the viola concerto, which is very melodic, romantic and yet uses the twelve-tone technique.


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