In the nineties of the last century the (once very renowned) classical music label Decca started an unsurpassed series ‘Entartete Musik’. Under the supervision of producer Michael Haas, works were recorded by composers who were persecuted by the Nazis, many of whom were murdered in concentration camps and then ignored and even forgotten for decades.
The series didn’t last long. Sales figures were disappointing, Haas was fired, and most of those CDs are now out of print.
Every true fan of film classics knows the music of Franz Waxman. His compositions for Rebecca, Sunset Boulevard and A Place in the Sun, among others, have earned him numerous Oscar nominations and twice he was actually awarded the statuette.
For Humoresque by Jean Negulesco, starring Joan Crawford and John Garfield, he composed an outright hit: ‘Carmen Fantasie’ (played in the film by Isaac Stern), a virtuoso piece for violin and orchestra that is ubiquitous in concert halls and on recordings.
However, few people know that he has also composed ‘serious’ music. It is simply ignored.